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Repetition Vol. 1: The New & Very Welcome

by Tyler Daniel Bean

supported by
John Flynn
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John Flynn Two great tastes that taste great together. Favorite track: "I Think I Made You Up Inside My Head".
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    Repetition Vol. 1: The New & Very Welcome
    Released on Skeletal Lightening in 2014
    Limited to 50.

    1) Off To The Edge Of The Earth
    2) "I Think I Made You Up Inside My Head"
    3) My Kitchen Floor

    Repetition is a series of covers, arose out of a fear of writing and the recognition that in order to push onward, as writing is and will likely always be a necessity, were needed to look back at what initially make this project important.

    Repetition Vol. 1 features three covers of The New & Very Welcome, a Boston-based acoustic project by Jess McDermott (now of Patch Kit). These three tracks are from each of her final three full lengths (House Fires Of The Modern Age, What Will You Do When It Happens To You?, and This Changes Everything).

    Includes unlimited streaming of Repetition Vol. 1: The New & Very Welcome via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

Repetition is a series of covers that arose out of a fear of writing and the recognition that in order to push onward, as writing is and will likely always be a necessity, I needed to look back at what initially make this project important. The songs on Volume 1 are full band renditions of acoustic tracks originally written by my friend Jess of The New & Very Welcome

credits

released December 12, 2014

All instruments other than drums - Tyler Daniel Bean
Drums - Joe Cross

All songs were originally written by The New & Very Welcome
Record by Ryan Stack at Format Audio
Mastered by Dan Coutant at Sun Room Audio

Released on tape by Skeletal Lightening Records

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Tyler Daniel Bean Burlington, Vermont

Over a decade, Tyler Daniel Bean grew from a person and a guitar into a community of twenty or so friends from around the US. Ten releases and 350 odd shows later, they have primarily paused. But the core of the music remains: it is recognizing that functioning in the face of fear is striving to be human; it is finding a way to say "I want to live," even recognizing the relentlessness of it all. ... more

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